Daughter’s Favorite Afghan Needed Help

Katy L from New Jersey texted to ask if I did repairs on afghans. Her daughter’s much-loved granny square afghan, done in pale yellow, baby pink, mint green, and periwinkle blue, needed some TLC.

IMG_0610  square with issues

square out

My first challenge was to find matching worsted weight acrylics for the job. For some squares, I could harvest the yarn and re-crochet with it, which is the way to keep the color as consistent as possible. I do this when the yarn is in good enough shape, but not when it is old, brittle, fuzzy, etc.

Actually, I had *this* much that I removed as I pulled out areas that had been destroyed/come loose/needed redoing:

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I did have to shop for more yarn, though, and had trouble finding the same shades as were originally used. Ventured out to several stores (Michael’s, Hobby Lobby, and a few yarn shops) before I found what I deemed satisfactory.

So the crocheting began. And yes, I’m left-handed, so it’s backwards to what you’re probably used to seeing:

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Had to make up several squares–I forget how many–but I know I crocheted at least eight. At one point, I sat at my 94-year-old Aunt Dot’s house, with Mom and my husband, and worked away while discussing the family history. My aunt used to produce the most lovely hand stitching—beautiful crewel work pillows,  cloth dolls whose seams and clothes were lovingly stitches by hand. Oh, she could work a sewing machine, but like me, she preferred the more tactile approach, cloth against the palm of one hand, needle gripped between forefinger and thumb.  I must’ve inherited the gene from that side of the family. Recently, I saw on an ancestry.com census that a great great aunt was listed as “Seamstress” for her occupation.  Oh, and while we sat that day in my aunt’s all-Victorian-furnished sitting room, I asked her for the one thing I really, really wanted to inherit from her: the set of chair covers that she had embroidered. She got right up and went to get them, saying she was happy that I wanted them. I knew where she kept them. I watched her go slowly over to that chest in the corner, where she’d shown them to me a few years ago. Her back is hunched now, her Collins blue eyes blurry now from macular degeneration.

Would you like to see what I wanted to remember her by, one day?

Let me run take some photos!

And here are my treasures:

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Aren’t they great? They’re Erica Wilson’s designs on linen. I don’t have them on chairs yet. I don’t even own chairs to put them on. One day, I’ll buy some, though, just for these. Or I’ll frame them, I haven’t decided yet. I just know when I look at them, I’ll picture Aunt Dot sitting there, looking down at her needle going in and out of that linen, over and over. And I’ll remember her handing them to me, and telling me, as I thanked her, that she was happy I wanted them.

I really digressed! But to bring it back to my customer’s repair, let’s just say that the crewel I inserted in here illustrates just why I have customers in the first place: needlework means something to people. It means someone cared enough to create something and pass it on.

And so, I work to complete the repair on Katy’s afghan. Once I’ve completed new squares, I sew them in:

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This picture below shows *a few* squares out at that time. There were others.

afghan with damaged square out

Not a bad match! My stitching is newer, so it appears not as, soft? as the rest, but it’ll all even out over time.

And once we’re all seamed up again, as I often do, I tuck in some loose ends. This takes a while, but it’s well worth the time and the expenditure. When yarn or thread has been cut too short when it’s tied off, as is often the case, that knot can pull loose SO much more easily then when the original crocheter leaves long ends. So I pull the knots out, take it back out of stitches, add yarn or thread, and then re-knot and re-stitch or replace within a seam. I hope that makes sense! Here is what I’m talking about. I did a LOT of these. Like, 40, maybe? Many were pulled out, pulled back, added to, and recrocheted. You get your money’s worth with me. Seriously.

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And finally, finished!

completed repair

Apologies for the dark photo. This was off my iPhone.

One Mother, Two Beautiful Bedspreads

After I had repaired Bob of CO’s crocheted spread (see previous post) I was very happy when his sister Kay from CA contacted me. She, too, had a beautiful bedspread their mom had made for her about 75 years ago. Hers was in need of repairs as well.

With Kay’s spread, there were quite a few split threads in the cotton, simply from age and use. That doesn’t bother me a bit, since why *have* a bedspread if you don’t use it? There is SO much work involved in crocheting or knitting a bedspread/counterpane. So many hours. When people go to the trouble to make them, they imagine many, many years of gracing someone’s bed. Which reminds me, I once made some felted slippers for a dear friend, and when she opened the package, she said, “You *made* these for me? I’m putting them right up in my closet.” I said, “Um. You’re supposed to wear them.” And she said, “Oh, no way. You made them for me!” I appreciated the thought, but really, when people make you functional items, they intend for them to be used.  Smile

And so the repairs began, on various double crochets, single crochets and chain stitches. (the popcorn stitch (baubles) was all intact):

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Kay7 (3)Kay8

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Some are re-weaves and some are crocheted chains where a chain link is missing.

There were many hours involved in this project, as I had to very carefully check each motif area and see if there were any loose threads at all. And there were many. If I had to estimate, I would say there were at least fifty tiny spots that needed some sort of repair. Some of the splits were more evident than others that just needed to be tacked or reinforced. All of the fringe was in good shape, and there were only a few areas at the border that needed to be whip-stitched back in place.

Once my repairs were completed, I put the spread on one of my beds so that Kay could see how it looks now! It’s a really lovely spread. There are small “rust” spots in several places that my textile cleaner partner, June, will remove for my customer. June is a very talented woman who has been cleaning every type of textile imaginable for over thirty years, and she did Bob’s bedspread and he was amazed at how well it came out!

Here’s the spread, repairs completed and before going to June, as displayed on one of my beds:

Cotton Counterpanes–Bedspreads of Yesteryear

My client’s crocheted bedspread repairs are completed, and it’s ready to go to the cleaner’s. Here are a few more steps I took while finishing up my work:

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The above photos show a bad place that needed repair, and the 2nd photo is taken from further away but shows the reweaving/re-crocheting.

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These two photos also show an area that needed repair and was fixed

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This (above) is a shot of the pattern. Shows the lovely popcorn stitching

 

Now everything is coming together in the main counterpane. On to the fringe repair:

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The fringe had several issues. First, parts of the crochet chain stitch to which it was knotted had come undone, so I had to repair that. You can see it in the left photo just above this writing. Once that is repaired, then everything has to be unknotted. See the little fringe hanks that I’ve taken off? They all follow a knotting pattern from the top, down. So you have to un-knot the top ones and take them off. Then un-knot everything else. Re-do the top knots, and then re-tie the other two levels.

And now, here is the bedspread at it looks with all the repairs completed!

 

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This got me to thinking about my own counterpane/bedspread, for which I once accumulated over 150 small balls of Aunt Lydia’s Fast Five cotton thread!! (Yes, it IS in a very large plastic tub in my attic.) This particular counterpane pattern I’m knitting is from Knitting Counterpanes by Mary Walker Phillips, c.1989. I know I began working on mine around 1990. I think I have 24 squares (the quarter units of the big square.)

I’ve pulled it out lately to see my progress. When people ask me how long something takes to complete, it’s really hard to gauge because I do have things I do other than knit or do needlework. However, I’ve noticed that with my busy schedule, when I’m only working on a knitted square for my counterpane, it takes a whole week. Each ball of thread is ONE unit, and each unit is ONE-FOURTH of a complete square for the pattern stitch.

So, here are a few pictures of mine, which Ms. Phillips created based on her sketches and photos from a late 1800’s counterpane she viewed in Larnach Castle, New Zealand:

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This (above) is 4 units (each unit taking 1 week to complete) sewn together into one pattern square

Look how many I’ve done so far:

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Once I complete all my quarter units + sew them into the larger squares, then I have to do a border insert. Once the border insert is completed, then there is a lace edging to be done.

Three thoughts:

1) I am a glutton for punishment, as I always choose ridiculously complicated projects for myself

2) There is a reason why Montgomery Ward, Sears and such began manufacturing bedspreads in the turn of the century

3) Why oh why did I have to do this for the king-size bed and not choose at least to do a full size instead, for the guest room?

4) Denise, I should listen to you and just make what I have right now into pillows, but no, see Thought #1 above

5) No dog or cat or grandbaby (way off right now but by the time I complete this project I’ll surely have some) will ever lie, sit, sleep, get a diaper changed, throw up, etc,… on my counterpane!!

Note from Happy Customer

Dear Melissa,

I can’t thank you enough for the incredible repair work you did on my little girl’s blankie. As you know, the blankie was hand-knitted by our great aunt and my daughter doesn’t do anything without it. I was so afraid as the hole kept getting bigger that we’d have to have someone re-do the entire blankie, which could have taken forever. You are a true miracle worker! You repaired the hole so it looks like nothing ever happened and got it done so fast my daughter hardly had a chance to miss her beloved blankie. We are eternally grateful. I’m glad I know who to call if something like this ever happens again. Although I can be certain that part of the blankie is set for life.

Thank you so much,

Kathy and Amelia W