People who end up emailing or phoning me generally know this: there is one main reason for getting a piece of needlework repaired: because you want to. That’s the answer in its simplest form. But for people like me, who tend to overthink just about everything, let’s break it down to five reasons from which we can choose (and of course some may overlap):
1) BECAUSE IT HAS SENTIMENTAL VALUE
This is probably the main reason why someone hires me. It’s their mother’s unfinished crewel embroidery, for example. It’s something she worked on with her own hands, that she put love and attention into. It may or may not be worth a lot to the rest of the world, but to this mother’s daughter, or this aunt’s nephew, it means “Mom” or “Aunt Trudy” made it. So it’s cherished. How do you put a monetary value on that? You don’t. It’s priceless. Therefore, it’s worth getting it repaired, framed, made into a pillow, or whatever needs to be done so the owner may enjoy it daily.
2) BECAUSE IT HAS ARTISTIC VALUE OR VALUE AS AN ANTIQUITY
There are people out there who collect things of beauty and they just have a great eye for what is fine, rare, what took a lot of work. I admire those people. I’m one of them, to a certain extent. I love trolling crafts fairs and antiques malls and seeing the things people have created, working for hours to turn a leg on an old chair, to cane a seat. Quilting is amazing, and it takes so long to cut, to piece, to sandwich fabrics and to apply all that hand-stitching that layers it and adds such interest. Some people know very little about how to create the piece, but they certainly appreciate it. And they know when something is worthy of restoration. They know restoration, preservation, completion, will add to the value of their “find.”
3) BECAUSE SOMEONE ELSE CARES ABOUT IT OR WILL CARE WHEN THEY RECEIVE IT
Some items I have worked on have been gifts that the creator was working on and hasn’t finished, but would like to gift to someone else. It’s important because the person they want to give it to is important to them.
Other items are something a client brings to me to repair because someone else they care about wants or needs it fixed. Ex: a mother bringing her child’s blanket in for repair
4) BECAUSE IT HAS MONETARY (FOR RESALE) VALUE
I haven’t really worked on anything in this area. I’d had a few inquiries that may or may not have been from dealers who had a nice textile that needed repairing. They didn’t use me to do the work, but the pieces (or photos they sent of them) were great. I imagined that they might be antiques dealers, since they had clearly found something amazing, and if repaired, they could get a good price for it. But they might simply be collectors (see #2 above) who found something wonderful and wanted to fix it and keep it themselves.
5) PUPPY FOLLOWED ME HOME SYNDROME AKA BROKEN BUT CHEAP AND FIXABLE
This is MY personal favorite, since I do it SOOOO often! I have this thing about buying things cheap and fixing them…or at least, dragging them home and letting them sit around while I daydream about fixing them, or hold them for years in my basement with the thought of fixing them, before I end up sending them back out to a thrift store. And what’s wrong with that, I ask?? LOL It does tend to add to the clutter!
Seriously, there is something really heartening in finding a little wood table with faded needlepoint and 1 out of 4 corner brackets missing, with a badly scratched glass top, and being able to 1) stitch it a new needlepoint top, 2) find a guy named Brian who works at an ACE Hardware in the mountains who’ll make my brass corner brackets (all 4 for $15!!), 3) getting a new glass top made, and putting it all back together into a cute little side accent piece—when it was purchased for all of $10 at a rummage sale! It’s all a treasure hunt, a “puzzle pieces fitting together” high that keeps me dragging home items that need TLC.
So hey, send me YOUR items. I promise to always get to them first, and *then* work on my never-ending supply of “fix me’s.”